

This “accessibility” is undermined by the pace of the record. Because what accessible meant to Lou Reed was not what accessible meant to the music buying public. This is the one way that the record resembles its predecessors.

In its release week, it failed to make the Billboard Top 200. When The Velvet Underground came out, it had almost no impact. So the driving creative force behind that record, John Cale, was exorcised from the band, and Reed hired Doug Yule, who would play bass and organ on their new release. He wanted to record something accessible. The legend for this one is simple: after the wildly experimental White Light/White Heat, bandleader Lou Reed was tired of making noise. The mythos of every Velvet Underground record precedes the actual music. And this where the 1969 Velvet Underground self-titled album begins. The imperfection makes it all the more devastating. When Yule struggles to reach the high note in the chorus, it hits harder than if a singer with a larger range had taken the song. In this moment of startling quiet, The Velvet Underground locate the soul of absolute depression and desperation. A bass holds onto the rhythm with anticipation. We're Gonna Have a Real Good Time TogetherĤ8.Doug Yule sings, “ Candy says, I’ve come to hate my body, and all that it requires in this world.” A guitar line weaves up and down a few notes in tight sequence. The Velvet Underground - The Velvet Underground (45th Anniversary) m4a zip Zippyshare rar Mediafire mp3ĭOWNLOAD: Download The Velvet Underground The Velvet Underground (45th Anniversary) Album mp3 zipģ8.
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